News from Norfolk

Category: history

03/03/2023

The reformation of Langham, Norfolk: notes regarding an enigmatic object of devotion, a church that vanished, and the so-called “Langham Madonna”

 In 1086, when the Domesday Book was composed, what is now the little village of Langham in Norfolk — in our own time, a small place of fewer than 400 souls — already had two churches. These two churches stood only about 300 meters distant from each other. Langham had long been divided into two main manors, which probably explains the two churches and their foundation well before the date of the Conquest. 

One of these churches — St Andrew, associated with the manor variously called Langham Magna, Langham Episcopi or Langham Bishop — still exists today, under the dedication St Andrew & St Mary. The building stands on a little ridge at the centre of the present-day village, with the land sloping away to the sea to the north, towards a little stream to the south. The other — St Mary, associated with Langham Parva — was located a short distance down the road towards Binham, apparently always outside the main settlement. It was probably the fact of this ridge and the road running along it that gave the village its unremarkable name, shared with parishes in Essex, Suffolk, Rutland and Dorset. 

Yet St Mary disappears from the records at some point between the creation of the Valor Ecclesiasticus of 1535, where it features, and the national inventory of church goods of 1552, where it does not. 

What happened? Of these two churches, St Andrew seems always to have been the more prominent. By the twelfth century it was a vicarage, under the control of the bishop of Norwich. The bishop also had a “palace” in the parish, to the west of the road to Field Dalling alongside what is now known as the Ford, which may — if one accepts local opinion on these things — have previously been the site of a Roman villa. Certainly Roman material has been found at the site. Meanwhile part of the flooded moat of the bishop’s palace is still visible, set in a damp sort of meadow with horses grazing nearby and some working farm buildings immediately next to it. (Peter Tolhurst, Norfolk Parish Treasures: North and West Norfolk, Black Dog Books (2014), p. 91.) 

The ecclesiastical taxation of 1291-92 assessed the bishop’s church, St Andrew, at £3 10s 0d. St Mary, in contrast, where Sir John Cokefield, a layman, was patron, was only worth at 10s. (See here) As for the Valor Ecclesiasticus of 1535, it assessed the value of St Andrew at £4 11s 8d per annum, while St Mary was worth £3 10s 5d. These were, incidentally, both relatively poor livings by wealthy north Norfolk standards. The Valor Ecclesiasticus assessed neighbouring Blakeney, for instance, as worth a clear £27 13s 4d per annum. But then Blakeney was, at the time, one of a trio of thriving Glaven ports, while Langham remained, as it always has been, primarily agricultural. 

For a small village, Langham St Andrew is an impressive church. The current structure was (re)built in flint in the fourteenth century, then enlarged and enriched throughout the course of the fifteenth century, with major restoration campaigns in 1868, 1900, 1906, the mid 1980s and doubtless at other times as well. From the tall tower with its late fifteenth century crenelated parapet, on the right sort of day, one can, allegedly, see all the way to Norwich. There is a general feeling, expressed by Pevsner among others, that the 1868 renovation left the church looking “lifeless”, but this seems unkind to me. On a bright spring morning, when the snowdrops are in bloom and the sunlight catches the flintwork and the old render, it’s a wholly delightful, atmospheric place, both inside and out. 

Langham St Andrew, as seen from the road running from the direction of Blakeney towards Binham and Walsingham

But let us consider, for a moment, the interior of the church. One of its most striking features of St Andrew these days is its bold asymmetry. While the nave has a south aisle complete with a chapel at the end, there is no north aisle whatsoever. What there is, however, is a strange, slightly wonky filled-in arch, larger than a normal doorway, in the north wall, just east of the present entrance. On the outside, meanwhile, someone has scored into the (1980s?) render the outline of a roofline, and then a door within that. Pevsner thought that the “mysterious, shapeless” arch might signal the existence of a vanished chapel. (Nikolaus Pevsner and Bill Wilson, Norfolk I: Norwich and North-East, Yale University Press (2002) p. 584.) 

Such “missing” portions of medieval churches are, of course, more usual than otherwise. The parish next door, Cockthorpe, had its chancel shortened, probably in the seventeenth century, and has blocked-up south-facing wall openings. The church of Cley-next-the-Sea, in its current form built during the fourteenth and fifteenth centuries, straddling as it did so the trauma of the Black Death, now has both its massive, ornate transepts blocked off — indeed, it’s possible that this may have happened soon after they were built, well before the reformation, due to the loss of a third or more of the local parishioners. And as we’ve seen, St Mary’s Langham vanished altogether. 

The filled-in arch on the north wall of Langham St Andrew
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20/01/2022

In search of Sarah Harvie

For those of us who feel compelled to imagine our own familiar places in past times, the release of the 1921 census data was inevitably an exciting day. Yet I doubted the new material would tell me much that I didn’t already know about my home, an old rectory in Blakeney, on the north coast of Norfolk. 

I knew, for example, that the incumbent at the time was the Rev Robert Gordon Roe, a Cambridge-educated, art-loving Anglo-Catholic who was rector from 1915-1923, so assumed that he would be living here with his wife, perhaps a child or two, and some servants. And indeed, so it proved. Two of his servants were members of the Gooch family, a name that looms large in the later history of the house — a pleasingly familiar note. 

Hence a flash of amazement and joyful discovery when I encountered the third of the live-in servants of the Roe family. The census return describes her thus: Sarah Harvie, aged 77 years and 6 months, female, single, born in Antigua in the West Indies — and also, in the language of the census, a ‘negress’. 

In recent years, historical and archaeological research has done much to alert us to the presence of black individuals in England, from at least Roman times to the more recent past. Norfolk is very much part of this story. Famously, a skull recovered from a 10th century burial at North Elmham in Norfolk has been identified as that of a young black woman. 

Blakeney is a coastal village, and until well into the nineteenth century it was still a port of some significance — not out on a limb geographically, as it to some extent is in our own automobile-dependent era, but instead connected by sea with a much wider world. So I have always assumed that there were black people visiting or living in Blakeney from time to time, whether as sailors, artisans, servants, enslaved people or something else entirely. Few records, after all, even where they exist, are as explicit about ethnicity as the is the 1921 census return mentioned above. So while I very much doubt that Sarah Harvie was the first black inhabitant of our village, the fact remains that she is the first about whom I, at least, have any specific information.

What, though, could I discover about Sarah Harvie, an elderly woman who lived in this house a century ago?

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21/01/2020

Killing places

bootscraper

This is an iron boot-scraper. For the better part of a century, it stood outside the front door of a Church of England rectory in a Norfolk village perched on the cusp of the eastern England, a liminal place where a vastness of greyish-lavender salt marsh softens the edges of the North Sea.

The rectory sat on a hill above the rest of the village. Next to it was the late medieval ex-rectory it had superseded in 1924, and which its design consciously echoed. Across the way and slightly to the north, on the highest ground in the village, was the parish church, a 13th century building altered by major rebuilding campaigns in the 15th, 19th and early 20th centuries. Nearby were the old schoolhouse and the newer, early 19th century parish school with modest 20th century additions. Another neighbour was a house called Highfields, an ordinary Victorian farmhouse that had been enlarged and re-ordered in the 1930s by the same architect who built the rectory — a local man named John Page, who lived in or near the village for nearly all his long life. John Page had also worked on the older rectory, just as he would go on to work on many, perhaps even dozens of other houses and buildings in the village.

Anyone traveling to the village either from the nearby market town of Holt, or indeed from the fine cathedral city of Norwich, necessarily passed between these buildings. The rectory was, more or less, the southern-most building in the village. As such, its tall chimneys, sloping tiled roof and distinctive 1920s Queen Anne roofline provided visitors with their first impression of the place they were about to experience.

In 2016, however, the rector decided that the rectory in which she and her children had lived, apparently happily, for a few years was no longer required. The diocese agreed. In 2017, the ex-rectory was sold to private owners for £1m. After local objections that went all the way to the High Court, the necessary planning permissions were obtained.

And so it happened that a year ago today — 21 January 2019, at 3.14 in the afternoon — a lone hydraulic excavator tore down the central tall chimney of the rectory. As holes were smashed into the distinctive 1920s Queen Anne roof, throwing its red sand faced Hartshill rooftiles everywhere, a strangely sweet, fresh smell settled over the area. It was the resin, suddenly released from all those 1920s softwood battens, making contact with the sharp damp air of a winter evening on the north Norfolk coast.

The smell persisted for days. It was actually very pleasant, as long as one tried to forget the act of senseless, irreparable violence that had created it.

demolition
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