A Doubtful Attribution

On that afternoon when I first learned of Lucinda’s death, it was as if some sort of filter had fallen between me and the rest of the world.
The bright September sunlight was suddenly dim, irresolute. The shadows lost their crisp autumn rigour. They became almost apologetic. When, on a whim, I went to the edge of our garden, from which one could just about glimpse the distant chimneys of the large house in which Lucinda had lived (“and, indeed, in which she had died — where she’s probably lying dead even now” the unhelpful voice inside my head stipulated), the battered corn-stubble, which at lunchtime had look as if it were picked out in purest old gold, was dun-coloured, dull — devoid even of its habitual population of gleaning rooks and wood-pigeons.
One lumpy little cloud hung pointlessly in the sky. I found myself disliking it, because it added nothing to the scene and looked wrong there. How ridiculous to dislike a cloud! Almost as ridiculous, in its way, as disliking death, although most of us do that all the same.
It’s not as if, I should perhaps add right away, I had known Lucinda terribly well — not as if we were the closest of friends. We were certainly not.
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